Key layouts minor 3-row
to the major scales 3-row Zurück Nach oben Weiter to the major scales 4-row
buttonbox styrian style

Key layouts minor

for all available scales on a 3 row Instrument

I use a 3 row instrument in the scale of D-G-C as an example, but these patterns are usable on all instruments with different scales. Only the scale names have to be replaced if used on different scales.

Only the natural minor Aeolian is possible to play completely. The more common minor scales ("Melodic minor" and "Harmonic minor") are not possible to play completely, they can be used as far as they are part of the natural minor.

The following rows are explained:

minor scale on the 2nd row, E-minor

minor scale on the 3rd row, A-minor (work around)

Today not all Steirische have minor chords built in any more. The following key layouts are not suitable, if you don’t have the traditional layout. Since there are still folk music with minor scales or minor parts or tunes with passages in minor, I recommend to use or buy instruments with minor chords built in. It is also easy to replace the reeds on some bass keys to get these minor chords if you don’t have them already.

And now the key layouts:

minor scale on the 2nd row, E-minor

This is the 6th Step progression relative to the middle row ( G-major -> E-minor) or the 2nd step relative to the 1st row (D-major ->E-minor). In all minor scales the 1st step (tonic) has to be played in pull position, and the 5th step progression irelative to the 1st (dominant) in push direction.

Pull, minor 2nd row. Middle and high position is complete. The important 5th note of the scale is missing in low position and can be reached on push direction. Gleichton is not needed and serves only as orientation key.

Key layout three-row, middle row minor, pull

3.

#1 3 5 7 #1 3 5 7 #1 4
2. 6 7 2 4 6 7 2 4 6 1 2
3 4 #6 1 3 5 #6 1 3 5 #6 1

Low position

Middle position High position

In combination with the above the respective bass keys:

Key layout bass three-row, 2nd row minor, pull
b2 x 1 (1minor) (1minor)
3 x 7 x 4 x
bass chord

Push, minor 2nd row. Middle and high position are complete. In the low position is the first note missing.

Key layout three-row, middle row minor, push

3.

6 1 3 6 1 3 6 1 3 6
2. 3 5 7 3 5 7 3 5 7 3 5

7

2

4

7

2

4

7

2

4

7 2 4
Low position Middle position High position

In combination with the above the respective bass keys:

Key layout bass three-row, middle row minor, pull
1 x 5

(5)

(5)

b6 x 3 x 7 x
bass chord

minor scale on the 3rd row, A-minor (work around)

This is the 2nd step progression relative to the middle row push major. (G- major-> 2nd step progression A- minor)

Pull, incomplete on the bass side (work around) 3rd row. Middle position is complete. In low position the second note is missing and in high position the 7th note is missing. Gleichton is unimportant, it serves only as orientation key.

Key layout three-row, 3rd row minor, pull

3.

b6 7 2 4 b6 7 2 4 b6 1
2. 3 4 6 1 3 4 6 1 3 5 6
7 1 #3 5 7 2 #3 5 7 2 #3 5
Low position Middle position High position

The 1st step tonic chord is not really correct. It is made up with a major chord instead. Depends a lot on the tuning of the instrument and also on the reeds installed for this major chord (f major instead of a minor). Please check your instrument maybe it sounds quite all right or it may be unusable. Alternating bass is possible but does not sound good in most cases. In combination with the above the respective bass keys:

Key layout bass three-row, 2nd row minor, pull
6 (1minor) 5 x x
7 x 4 x 1 x
chord altern. bass

Push, with work around major bass chord on 3rd row. All three positions are complete.

Key layout three-row, 3rd row minor, push

3.

3 5 7 3 5 7 3 5 7 3
2. 7 2 4 7 2 4 7 2 4 7 2

4

6

1

4

6

1

4

6

1

4 6 1
Low position Middle position High position

In combination with the above the respective bass keys:

Key layout bass three-row, 3rd row minor, push
5 (5) 2 x x
3 x b7 x 4 x
bass chord altern.

 

Nach oben ] Key layouts major 3-row ] [ Key layouts minor 3-row ] Key layouts major 4-row ] Key layouts minor 4-row ]

Questions about the Steirische ] Playing technique ] Playing with standard notation ] "Griffschrift" explained ] Easy multiple voices ] Bass play and alternating bass ] swinging music ]
[Deutsche Version]

Lehrgang Nach oben Dancilla Volksmusik Inhaltsverzeichnis Impressum FAQ Fragen Neu eingefügt

FAQ (häufig gestellte Fragen)

Franz Fuchs Volksmusikschule

Website Übersetzung

Google

 

Suche im Web
Suche in www.volksmusikschule.at

 

Diese Homepage wurde erstellt von der Stammtischmusi Klosterneuburg, p.A. Franz Fuchs, geb. 1939, A 3400 Klosterneuburg, Buchberggasse 63/2/2, Handy +43 (0 664) 9 80 43 15. 
 

Die Betreibung dieser Seiten kosten neben dem Zeitaufwand auch einen nicht unerheblichen Geldaufwand. Wir freuen uns daher über jede Spende. Näheres im Impressum der Stammtischmusik. 
 

Anmerkungen und Anregungen zu diesen Seiten können Sie gerne an franz.fuchs@stammtischmusik.at senden.
 

Falls in diesen Seiten irrtümlich irgendwelche Urheberrechte verletzt wurden, ersuchen wir um Mitteilung, wir werden dies sofort abstellen.
 

Ich weise darauf hin, dass ich für die Inhalte von Seiten außerhalb der Domänen  Dancilla.com, www.Volksmusik.cc, www.Stammtischmusik.at, www.Volksmusikschule.at, www.Volkstanz-Klosterneuburg.at sowie www.Franz.Fuchs.priv.at  und www.Volkstanz.at weder Verantwortung übernehme noch sie mir zu eigen mache!

Für die kostenlose technische Betreuung aller dieser Seiten sowie die Erstellung der Datenbank Noten.Page bedanke ich mich bei meinem Sohn Günther Fuchs.
 

Wir danken allen Usern, die uns mit ihren Rückmeldungen, mit ihrem computertechnischen oder musikalischen Fachwissen geholfen haben, diese Seiten zu erstellen. 
 

Wir freuen uns über Fragen, Hinweise und Verbesserungsvorschläge (Korrekturen, Ergänzungen, weiterführende Links). 

Und vor allem freuen wir uns über jeden Besucher, der diese Seiten bisher gesehen hat. Seit Februar 2000 waren es bereits