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With many dances, particularly with Polkas, one can accelerate the last melody run-through.
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This means however: a one time acceleration at the beginning of this concluding melody. |
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if necessary, even after a preceding slow-down. |
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or in the last measures of the previous melody already intentional acceleration. |
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The remaining melody is then played evenly with the new faster speed. |
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Or one increases the speed just shortly before the end, then the dance finishes with a final chord. |
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One can announce the end of the dance with a slight delay (Ritardando) especially with waltzes. |
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Or one plays the last notes with extra emphasis, or one gets louder toward the finish, or even quieter, and the last notes fade in volume. |
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Now and then the dancers can be intentionally
mislead
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Finish within a measure, without warning |
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Play on after a final chord |
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Without pause, continue with a different rhythm (play the last waltz melody as a polka) |
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All these must be exceptions if they are to work. |
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With many folk dances the last figure (waltz, polka) can be repeated once more before the actual finish, could be in a different scale, or with different slightly faster tempo. |
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One can change the end of some melodies, for instance the measure before the last with a run one octave higher or lower, a short cadence added, or ending with an arpeggio plus the 17th measure. |
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One should use different ending on different tunes, so not every tune finishes with the same ending. |